Book 36: Shadow and Light

Shadow and Light

Jonathan Rabb

This book, set a few years after the events of Rosa, continues the story of German detective Nikolai Hoffner and, in a way, interwar Germany. This installment takes place in the 1920s and, as its title suggests, uses the burgeoning German film industry as historical decoration. Though the book does a good job of focusing on its main character and his sons, who play an expanded role in this novel, Rabb's eagerness to evoke the era occasionally gets in the way of the narrative. Readers can feel the almost unseemly effects when major historical developments are dropped right into the primary narrative path, and though Rabb has clearly done a significant amount of research the details sometimes feel a bit too convenient. Just as in the previous installment, major historical figures make cameo appearances that feel too unlikely to contribute to a sense of realism, as was likely the author's intention. Likewise, Rabb goes a bit too far overboard at times in pursuit of shock value, and the horrors he depicts (though secondhand) feel a bit sadistic even for a series predicated on murder mysteries. The images do leave a lasting impression and certainly paint the right-wingers in a sufficiently horrifying light, but at times they feel exaggerated, more like props to prove a point than essential parts of the story's fabric. Nonetheless, Rabb's vision of Weimar-era Berlin is captivating, and the central stories compelling enough to maintain the reader's attention. Hoffner himself seems drawn straight from life (though biographical details are occasionally revealed in clumsy information dumps) and, ironically for a fictional character, provides a sense of realism when history seems exaggerated to suit the author's needs. Shadow and Light is far from revelatory, but provides a sufficiently interesting mystery that continues the development of its compelling lead detective in a unique historical setting.

Grade: B