The Adjacent
Christopher Priest
I've never read a Christopher Priest
book before, though I'm familiar with The
Prestige, but I had high hopes coming into and while reading this novel.
Unfortunately, The Adjacent never
quite lives up to its own expectations. This is a shame, as Priest displays a
multitude of talents throughout the book, moving seamlessly between third- and
first-person narration and adapting several narrative voices to their
circumstances. He evokes World War I's Western Front, a World War II-era
English airbase, a plausible future Britain haunted by the consequences
of global warming and advanced terrorist weaponry, and a wholly invented island
society with equal vigor, but cannot quite weave them together into a single
story, coherent or otherwise. To a certain extent, this is the point; The Adjacent obviously revels in the
possibilities of parallel and complementary timelines, and to expect a linear
story would be to mischaracterize the book's own goals. I do, however, wish
that the necessary juggling was handled better, with a discernible point beyond
the kind-of-twist ending on offer. The various timelines book includes numerous
coincidences and crosswalks, which form part of its charm, but when some of
these elements come together in the end, the effect is to distort realism so
thoroughly that the entire book becomes a bit of a sham. The big finale is surprisingly
conventional, particularly for an author who proves elsewhere that
experimentation and departures from linearity (and, indeed, from a single
notion of reality, even a fictional one) can be enthralling. The effect is one
of unmitigated disappointment- surely the author capable of the novel's heights
could come up with a more satisfying, appropriate ending?
Though I left The Adjacent feeling quite disappointed,
it is only because the book often employs its tricks to enchanting effect. The
highlight, for me, was a pair of stories about an ill-fated magician's trick;
together, they recall Akutagawa's In a
Grove, updated for the quantum age. The chapters that take place during
World Wars I and II are wonderful bits of writing; either could stand alone as
a short story and, indeed, the first probably should have, as it bears little
relation to the remaining text beyond some hints of shared imagery and relies
too heavily on a show-offish cameo that does little to enhance the small or
larger stories at hand. The World War II-era narrative provides a surprising
and welcome focal point, uniting threads from the near-future and the island
stories, although it, too, becomes muddled by the end. Much of what Priest does
simply seems unnecessary, focusing on less interesting ideas and characters at
the expense of the good stories he tells effectively. As science fiction, The Adjacent explores some interesting
ideas about quantum theory. Though these aren't quite explained to full effect
they do offer tantalizing- but woefully underexplored- possibilities. In one of
the novel's strongest bits- which hints at a resolution and sense of consistency
that never, alas, come to fruition- we follow a character in real time only to
discover that he might, perhaps, have been somewhere else all along. Yet Priest
stops there, quickly moving on to another half-baked application of his solid
basic ideas. That, in essence, was my experience with The Adjacent: it is a novel full of interesting riffs on an
excellent, unique idea, with top-notch worldbuilding thrown in for good
measure, that can't quite put everything together in a meaningful way.
Grade: B
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