The
Bully of Order
Brian
Hart
Here's
another good example of a book that I very much wanted to like. Brian
Hart's historical set piece, which examines the seedier side of life
in the Pacific Northwest around the turn of the 20th century,
certainly maintains a clear thematic focus throughout, tracing the
history of one of the fictional Harbor's early families and charting
the effects of the various personal disasters that befall them. From
the start, it seems like Hart is onto something by choosing to focus
not on the town's leading families but on a man whose entire presence
in the Harbor is predicated on a lie. And indeed, Hart does not
flinch when exploring the terrible deeds that humans are capable of
doing, in all of their complexity and, too often, horror. He clearly
appreciates the many shades of gray between wrongs- those he presents
run the gamut from a woman's catch-22 decision to abandon her family
instead of facing a sadistic rapist to a cut-and-dried villain's
cold-blooded murders, and from accidents to the coldest calculations-
but he displays an unfortunate tendency toward the extreme. Whether
his characters are bizarrely obsessed with a particular adjective
(one that I hadn't encountered previously and that struck me as
inauthentic every time it popped up) or admitting to heinous crimes
that have absolutely no function other than pure, pointless shock
value in a book that doesn't otherwise rely on gore porn, their
author often drives them to the point of pure exaggeration,
extracting nothing that adds to the story in any meaningful way.
With
all of its repeated failures in this regard, it is surprising that
The Bully of Order is
as good as it is. Among the author's strange reliance on the
irrelevant are some truly interesting explorations of human nature
and moral ambiguity, set convincingly against his chosen historical
backdrop. The fin de siècle
Northwest is utterly believable, from its burgeoning towns to
Portland's growing metropolis to the region's still-expansive
wilderness. It's a shame, then, that the characters and plot can't
quite match up to this internal gold standard. The plot itself has,
as I mentioned, some engrossing moments and sudden twists both seen
and unforeseen. When the characters do
act in reasonably believable ways, they are appropriately sympathetic
and/or frustrating, and their stories likewise hold the reader's
sustained interest. Unfortunately, the book often feels inflated with
unnecessary events and side stories, and it is unclear whether Hart
is attempting to build a community-wide portrait or whether he
intends to focus more intently on the members of the Ellstrom family.
The
novel suffers for this indecision, and for Hart's uneven handling of
the novel's necessary- but often awkward- chronological jumps. His
use of varying narrative voices indicates a fair amount of authorial
skill, with each voice sufficiently differentiated from the others,
but his juggling of narratives and interests is not always as deft as
his story demands and often contributes to the general feeling that
the book, for all its strength of setting, ultimately lacks focus.
Thus, too, with the ending, which is capped by an utterly
unnecessary- to the point of baffling- epilogue and a return of the
displaced loggers' narration that pops up occasionally, to varying
effect. There is a lot to be said for Brian Hart's ability to weave
an interesting tale and for his willingness to explore criminality
and the downtrodden in an often-romanticized era, but the resulting
book is just a bit too cluttered and self-aware to be truly
effective. The Bully of Order
has excellently rendered scenery and occasional moments of insight,
but it ultimately cannot withstand the alternate tedium and chaos
that, unfortunately, come to dominate both the book and its
characters.
Grade:
C+