Who We Are: Our Official Autobiography
One Direction
And
now for something completely different! There's no use in pretending
that my love of boy bands hasn't
extended beyond my tween years, and I figured that this would be a
quick enough read with some potential to present little-known facts
or interesting (if heavily edited and marketing-approved) insight
into each of the One Direction lads. But
alas; as
a reader who is well outside the range of the book's obvious target
demographic, I was bound to be disappointed despite my lowered
expectations. I hesitate a bit to judge Who
We Are
on its literary merits, as it has a very clear and narrowly defined
purpose, but I do feel that
it
has the potential to disappoint One Direction fans who are
now old enough to
expect
a bit more of a genuine effort from the marketing team.
The introduction and jacket copy imply that Who
We Are
will offer a more personal glimpse into each of the members'
reactions to the various landmark events in their remarkable (and
remarkably dense) career, and by that measure I think it is
ultimately a bland failure that offers little new information on the
group.
The
book is built on a solid foundation, comprised of five chapters that
purport to tell each individual member's story in their own words,
and the choice to begin with the more serious-minded Liam gives an
initial impression that the book may actually offer something
interesting. Unfortunately, nothing really comes of it in the end,
and the book immediately, repeatedly, and apparently unapologetically
rescinds on its promise to be more than a re-hashing of the group's
history. It
cannot be a coincidence that each of the members devotes
significant time to each of a small number of events, often
describing them nearly verbatim, and
the whole thing rings false as a result.
Likewise, the attempt to distinguish the five narrative voices, while
extant, is lacking almost
to
the point of futility, and too many of the stories and would-be
asides align too perfectly to have originated organically. Too often,
a chapter refers overtly to the others and to the same limited
catalog of events in a way that betrays its utterly artificial
construction. Maybe each member would
conveniently and coincidentally choose the exact same shows and
anecdotes to reflect upon, but in this context I'm simply not buying
it.
I
might be more forgiving of the repetition if the remainder of the
book didn't feel so relentlessly artificial in a way that openly
mocks its opening salvo of lip service to genuine revelation. Many
moments are posed ever so precisely upon the precipice of actual
emotional honesty, to the book's credit, but the author beats a
hasty, and usually awkward, retreat as soon as they come within a
mile of controversy. I didn't expect Who
We Are
to be a tell-all memoir actually written by the principals, but it
would be nice not to be relentlessly pandered to, my intelligence and
loyalty (and that of all fans) called into question simply because
some manager decided on a party line that excludes any hint of real
human emotion. It is genuinely moving when
Liam's chapter admits to his chronic anxiety (a trait I share,
described in a way that made me immediately relate and feel deep
sympathy) and when other cracks begin to come into
focus, but honesty is a precious commodity in this book and whoever
had final say in it was careful not to stray to far from the
concocted storyline.
For a band that begs to be taken
seriously, One Direction's management is awfully eager to present
them as yes-men who always enjoy what they're doing, even when the
book itself admits that they may not be 100% perfect 100% of the
time. Perhaps the overall effect would be less galling if the members
themselves hadn't let slip a few (completely warranted and
reasonable) complaints in recent months, but I believe that the dual
emphasis on the five as regular guys and as infallible, ever-grateful
puppets does far more harm than good. It's disingenuous when the book
carefully and immediately backs away from any half-statement that
doesn't dwell excessively on how massively amazing every single facet
of their lives is. There are hints of real depth and complexity, to
be sure, but they are mostly to be discovered between the lines.
Unsurprisingly, readers who fawn over the lads' every move will find
precisely what they're looking for in this volume, but those who have
grown up with the band might find it lacking, particularly in the
context of the band's more recent, unfiltered statements, missteps,
and honest admissions.
I
suspect that moral quandaries about quality,
consistency, and morality won't trouble most of the book's
readership, but I nonetheless feel that the
book does a disservice to band and fans alike by pretending that
everything is always perfect
and
cheerful in
the land of superstardom. The first-person chapters, hints at
vulnerability (however small), and smug appeals to fans' own vanity
will convince the converted that this biography offers something new,
unique, and valuable in the One Direction canon, but
we unwashed may find ourselves wishing for something more. The book
does offer a small glimpse behind the scenes, and it wasn't a
complete waste of my time due to my lack of knowledge about the kind
of chronology the book so stridently (but inaccurately) says it
avoids, but it doesn't live up to its own promises and doesn't keep
up with the band's own musical and personal maturation. Readers who
wish to know more about the emotional state of the group would be
better advised to listen to Midnight
Memories
and Four
for a far more honest glimpse at their inner lives. Despite
presenting a welcome- though worn- facade to its primary audience,
Who We Are
is just another example of unconvincing
marketing that
shows little respect to its subject and its potential consumers.
Grade: C
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