Coming Out to Play
Robbie
Rogers
As
someone who is independently interested in LGBTQ issues and soccer,
it seemed only natural that I should read this memoir by Robbie
Rogers, the first openly gay male athlete to play in one of the
United States's five major professional sports leagues. I knew little
about Rogers coming into the book, save that he had temporarily
retired before coming out and subsequently joining the L.A. Galaxy,
and it was interesting to get inside the head of a successful
professional athlete, although the book does its subject few favors
in the end. It is difficult to discern how much of the tone- which,
for its many faults, is at least consistent throughout the book-
should be attributed to Rogers and how much belongs to his coauthor,
Eric Marcus. Nonetheless, I found it to be somewhat defensive and
surprisingly maudlin, to the point where I felt little sympathy for
Rogers despite understanding much of what he went through as a
closeted gay person in the 1990s and early 2000s.
Unsurprisingly,
much of the book is devoted to standard memoir fodder, which is
handled more or less adequately. It's exactly the sort of story you'd
expect, an obviously well-off kid growing up in an area where he
could nurture his obvious talent, forging the kind of professional
connections that served him well afterward. The blockquote passages
from his mother and sister are a bit too frequent and too long,
taking the focus off of the obviously shy subject but magnifying his
reticence, yet the book's sections about faith and family provide
many of its most poignant and emotionally resonant moments (though
the latter are few and far between). Rogers has a tendency to rely on
platitudes, particularly when discussing the process of coming out
and the subsequent attention he has received since doing so, but they
are harmless and largely humdrum. Overall, the book gives the
impression that it simply had to be written because of Rogers's
monumental achievement, and even if it doesn't set the world on fire
it does at least offer a comforting tale of a paranoid, closeted gay
man coming out to find an open, loving embrace from all quarters. Its
base narrative is somewhat rote, but none the worse for it; what sets
the book apart is its constantly apologetic, overly paranoid tone.
It
is, of course, appropriate that the book should dwell on Rogers's
overwhelming self-doubt and the intense negative impact it had on
seemingly every aspect of his life, both personal and professional. I
don't fault the authors for making these emotions a central part of
the book; to the contrary, I applaud them for at least attempting to
rise above the tone of constant joyous celebration that can leave
those of us who struggle(d) in similar situations feeling woefully
inadequate. That is not, however, to say that the book offers a
particularly
pleasant-
or even a particularly edifying- reading experience. Rogers's story
feels real, but the editorial decision to make the negativity so
inherent to the book's central voice results in a rather unpleasant
reliance on on repeated and redundant complaints. The memoir may
offer
a realistic portrayal of Rogers's shifting
emotions, but its constant defensive tone and ceaseless apologies
tend
to undermine the concluding message of hope and acceptance.
I
hate to be so negative about the book, and it is somewhat refreshing
to see a celebrity memoir that so honestly confronts its subject's
deepest fears and faults. I can't imagine it was anything but
agonizing for Rogers to confront the hyper-masculine world of
professional sports on a daily basis throughout the formative years
of his life. The book comes agonizingly close to meaningfully
confronting some important issues, such as the distinction between
those who use homophobic language and those who are actually
homophobic (Rogers reports that many of the players who would
casually employ the familiar epithets are now among his biggest
supporters), but in his eagerness to please Rogers largely squanders
his opportunities to place his experiences in a larger societal
context. His perspective is certainly interesting, and valuable, and
I have no doubt that the book will do a good deal of good for
teenagers who (like myself at a younger age) might relate to much
of Rogers's story.
Regardless, even brutally honest memoirs such as this one must strike
a balance between deification and demonization, a balance that this
book fails to achieve. Coming
Out to Play
is an honest look at the inner turmoil that plagued a pioneer gay
athlete, but the relentless focus on that turmoil makes it a rough
and repetitive reading experience that casts its subject in an
unnecessarily negative and shallow light.
Grade:
B-
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