The Violent Century
Lavie
Tidhar
I
have always found stories featuring alternate and parallel histories
somewhat enticing, with their visions of a past that,
despite being somewhat similar to our own, is not quite right.
At their best, these stories open up worlds of alternate
possibilities, asking and allowing us to reexamine the ways in which
we affect the world around and beyond us. Lavie Tidhar's alternate
20th century, which he aptly terms the "Violent Century",
hinges on the presence of Übermenschen, ordinary humans who acquire
superpowers after a mysterious quantum event in the early 1930s.
Though World War II and subsequent conflicts proceed more or less as
expected, the book effectively utilizes narrative tricks to evoke a
sense of chaos that parallels the effect of the century's many wars.
With its short (and often punchy) sentences, shifting points of view,
and occasional flirtation with first- and second-person narration, to
say nothing of its constant time-jumping structure, The
Violent Century
often provides a sense of disorientation that, somehow, doesn't feel
out of place. The book quickly settles into a pattern, of sorts, and
though the framing narrative and other details occasionally get lost
it delivers necessary information at a reasonable pace. The book
certainly rewards lengthy spells of reading, as certain bits of
information become easily forgotten or lost, but it is remarkably
accessible given its inherent complexity.
Some
events do seem to get lost, not the least of which is the appropriate
character building necessary to lend the book's central relationships
an appropriate level of plausibility. Tidhar is also prone to
distractions; though his visions of the various superheroes' postwar
ventures are as compelling as the depictions of World War II, it is
not immediately clear how they are thematically relevant. Likewise,
one character's deus
ex machina
appearance toward the book's climax comes across as incredibly
disingenuous, given the vast possibilities offered by their unique
abilities; it simply beggars belief that it would not have previously
been relevant, even given the novel's chaotic narrative structure.
The book is jam-packed with excellent and intriguing ideas, and
Tidhar employs a deft hand in bringing them to life, but the book
clearly has larger philosophical aspirations that it cannot quite
live up to. The questions are posed, if meekly, but the reader is
never able to properly consider the implications.
Nevertheless,
the book's set pieces are so convincing and impressive that it
succeeds on the level of pure entertainment, experimentation aside.
From the snows surrounding besieged Leningrad to the steamy jungles
of Laos and the concrete maze of September 11-era New York City, the
set pieces match the best in the business. Even more impressive is
Tidhar's ability to seamlessly weave his Übermenschen into the
fabric of oft-studied history, creating a slightly altered world that
is as utterly convincing as any that I've recently encountered. What
the book lacks in philosophical depth it more than makes up for in
pure spectacle, his alternate 20th century a mirror on our own that
invites, even if not in a wholly satisfying manner, a fair share of
reflection. The book is eerily plausible in the way that it
interweaves real and imagined histories, and it is a shame that the
characters and their relationships cannot quite match the book's base
level of surprising realism. Even if the story is ultimately
disappointing, the worldbuilding deserves utmost admiration. The
Violent Century
may not deliver on all of its aspirations or promises, but it does
invite readers to carefully consider the nature of heroism and,
besides, offers a compelling alternate history that at times feels
far more real than the actual chain of events that led us to today.
Grade:
B+
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