Music
for Wartime
Rebecca
Makkai
All
short story collections are potentially susceptible to derailment due
to inconsistency of subject, theme, style, and/or quality, and it is
often difficult to anticipate what awaits when
beginning one. This is particularly true of single-author
anthologies, even those that do turn out to have a common thread
running through
their individual components.
Comprised partially of stories focusing
on Hungarians'
experiences during and after World War II and partially of wholly
unrelated tales,
Rebecca Makkai's Music
for Wartime
occupies a strange middle ground between thematic unity and narrative
diversity.
The opening
story and
three additional
"legends"
interspersed throughout
the collection are
ephemeral
folk tales set in rural interwar
Europe
(likely Hungary) that
offer some context for those stories that explore the implications of
the war, at the cost of making the others seem hopelessly out of
place.
Despite their individual and collective ability to establish a
setting
and evoke a particular
mood, these
efforts to establish a common thread and theme serve
more to highlight the
collection's
incongruities than to unify its
disparate pieces into a coherent
whole.
Makkai's
laudable, if imperfect, attempt to add a wrinkle to the typical
anthology format betrays another of the collection's flaws:
repetition that fails to construct collective meaning.
Several characters
seem to be recycled among the war-inspired stories without any overt
connections beyond a general connection to the conflict, however far
removed. Moreover, these stories are scattered among others featuring
such wholly unconnected elements as a traveling circus, a reality
television producer, and a time-traveling Johann Sebastian Bach.
Without providing stronger connecting tissue or even ensuring their
physical proximity, Makkai fails to capitalize on the war stories'
potential power. Even though many individual stories shine, both
within and outside of the purported theme, the collection lacks the
unity it apparently craves. Powerful examinations of vivid characters
and compelling philosophical questions are lost amidst the book's
attempt at a unified vision that it fails to create. Music
for Wartime
is an eclectic collection that suffers from its hesitancy to
effectively embrace either its shared themes or its more unique
elements, resulting in a group of strong stories that buries its own
potential.
Grade:
B
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